Andy Lawrence
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Section 3: Recording
in Filmmaking for fieldwork
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This section looks at how to apply techniques for gathering image and sound on location to serve the core ideas discussed in section one. However, before technical matters I address the fundamental skill of establishing good fieldwork relationships and maintaining a rapport with research participants to ensure your documentary project remains viable. Filmmaking for research purposes relies on a variety of recorded material that covers both the demands of cinematic grammar and those of theoretical analysis. Alongside technical advice about operating a camera and sound devices, I have included a discussion of working in situations that commonly present an opportunity for a filmmaker to gather important material, such as processes, discussions, journeys, performances, reflexive moments and major events. I encourage filmmakers to begin by working in small crews, in order to gather hands-on experience in the specific technical requirements of high quality image and sound recording. A dedicated sound and camera team will ensure the highest standards of cinematographic craft but it will also help you to develop confidence when working solo, which for most researchers becomes their modus operandi

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Filmmaking for fieldwork

A practical handbook


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