Introduction
The acoustic neo-avant-gardes between literature and radio
in Tuning in to the neo-avant-garde
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The introductory chapter explains what is at stake in the exploration of postwar radiophonic experimentation and discusses some recent perspectives, such as those of sound studies and theories of the avant-garde. In particular, the chapter relates the radiophonic adventures of literary authors and other artists to the tradition of the avant-garde and the debates surrounding it. A lot of postwar creative radio art, for example pieces by Antonin Artaud or Georges Perec, continued the aims and strategies of the historical avant-garde. At the same time, they confronted and dealt with the intrinsic limitations of radio as a mass medium. This leads us to reconsider the question, raised by Peter Bürger, whether the neo-avant-garde is a failed avant-garde. Referring to a rich variety of radio plays and offering an outline of the volume, the introductory chapter argues that the neo-avant-gardes across Europe and North America both continued and renewed the views and means of the historical avant-gardes.

Tuning in to the neo-avant-garde

Experimental radio plays in the postwar period

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