Independent Kashmir

Turkey's involvement in the Gulf War in 1991 paved the way for the country's acceptance into the European Union. This book traces that process, and in the first part looks at Turkey's foreign policy in the 1990s, considering the ability of the country to withstand the repercussions of the fall of communism. It focuses on Turkey's achievement in halting and minimising the effects of the temporary devaluation in its strategic importance that resulted from the waning of the Cold War and the disintegration of the Soviet Union; the skilful way in which Turkey avoided becoming embroiled in the ethnic upheavals in Central Asia, the Balkans and the Middle East; and the development of a continued policy of closer integration into the European and western worlds. Internal politics are the focus of the second part of the book, addressing the curbing of the Kurdish revolt, the economic gains made and the strengthening of civil society. The book goes on to analyse the prospects for Turkey in the twenty-first century, in the light of the possible integration into Europe, which may leave the country's leadership free to deal effectively with domestic issues.

This is the first monograph devoted to the work of one of the foremost contemporary advocates of critical theory, Andrew Feenberg. It focuses on Feenberg’s central concept, technical politics, and explores his suggestion that democratising technology design is key to a strategic understanding of the process of civilisational change. In this way, it presents Feenberg’s intervention as the necessary bridge between various species of critical constructivism and wider visions of the kind of change that are urgently needed to move human society onto a more sustainable footing. The book describes the development of Feenberg’s thought out of the tradition of Marx and Marcuse, and presents critical analyses of his main ideas: the theory of formal bias, technology’s ambivalence, progressive rationalisation, and the theory of primary and secondary instrumentalisation. Technical politics identifies a limitation of Feenberg’s work associated with his attachment to critique, as the opposite pole to a negative kind of rationality (instrumentalism). It concludes by offering a utopian corrective to the theory that can provide a fuller account of the process of willed technological transformation and of the author’s own idea of a technologically authorised socialism.

This book engages in a critical encounter with the work of Stanley Cavell on cinema, focusing skeptical attention on the claims made for the contribution of cinema to the ethical character of democratic life. In much of Cavell's writing on film he seeks to show us that the protagonists of the films he terms "remarriage comedies" live a form of perfectionism that he upholds as desirable for contemporary democratic society: moral perfectionism. Films are often viewed on television, and television shows can have "filmlike" qualities. The book addresses the nature of viewing cinematic film as a mode of experience, arguing against Cavell that it is akin to dreaming rather than lived consciousness and, crucially, cannot be shared. It mirrors the celebrated dialogue between Jean-Jacques Rousseau and Jean D'Alembert on theatre. The book articulates the implications of philosophical pessimism for addressing contemporary culture in its relationship to political life. It clarifies how The Americans resembles the remarriage films and can illuminate the issues they raise. The tragedy of remarriage, would be a better instructor of a democratic community, if such a community were prepared to listen. The book suggests that dreaming, both with and without films, is not merely a pleasurable distraction but a valuable pastime for democratic citizens. Finally, it concludes with a robust response from Dienstag to his critics.