Klaus Nathaus
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‘European dances’ in colonial Kikuyuland
Modernities, ethnicity, and politics, 1926–47
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This chapter offers a comprehensive account of the social and political worlds that emerged in the ballroom-style dance spaces of Kenya between the 1920s and the late 1940s. This chapter is interested in Kikuyu and colonial discourses about ‘European dances’ for what they tell us about African agency in the making of new local dancing cultures and for how they highlight the disruptive impact of British colonialism upon local power and gender relations. I examine whether ‘European dances’ in Kikuyuland amplified the scope and scale of Kikuyu youth ethnic expressions between the mid-1920s and 1947. By reclaiming African rhythms and adapting Euro-American partnering styles to new dance steps, the Kikuyu youth who engaged in ‘European dances’ were enlarging the boundaries of a contested Kikuyu embodied ethnicity. Many of these new dancing worlds were also intrinsic to Kikuyu militant anti-colonial struggle and advocacy for African rule, with dancing spaces hosting political activism.

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