Shahmima Akhtar
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Famine and industry
Ireland’s original exhibitions
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The chapter considers Ireland’s post-Famine exhibitions in the 1850s to argue that they became a crucial stage through which to debate post-Famine reconstruction policies. Ideas of Ireland’s recovery after its national tragedy were contested along nationalist and unionist lines to varying effects. This chapter argues that Ireland was theorised as a transitional space in constant need of development after suffering from famine and long-term poverty. A progressive timeline for Irish advancement was visualised in the fairs of the 1850s, which evoked an Irish past as a means for surviving in the present through hope for the future. This relied on laissez-faire politics and the power of the individual (mainly women) to survive hardship based on their individual labour through a competing unionist or nationalist framework. In the 1850s, narratives of Ireland’s future in London, Cork, and Dublin, like its exhibition, reporting, and reception, were contradictory and subject to revision. Through the consistent narration of Ireland as developing, the exhibitions did not demonstrate Ireland’s prowess to the world but instead became an opportunity for Ireland to learn from the industry of others. While the 1851 Exhibition can be read as what the British government allied with Irish industrialists wanted for Ireland, the 1852 and 1853 exhibitions reveal how an Irish nationalism interacted with the period’s broader imperialism for Ireland’s economic expansion. The exhibitions of the 1850s demonstrate that a hybridity of politics on Irish development were held by Irishmen and women within the mixed loyalties of Irish unionism and Irish nationalism.   

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Exhibiting Irishness

Empire, race, and nation, 1850–1970

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