Shahmima Akhtar
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Diaspora and migration
Displayed Ireland abroad
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This chapter follows the Famine exodus to the United States and considers the 1893 Chicago World’s Fair to illustrate how exhibitions of the Irish interacted with transatlantic activism and philanthropy. It focuses on Lady Aberdeen’s and Alice Hart’s Irish villages, designed to help the Irish poor by analysing planning documents, written correspondence, and reports from the fair. Both women’s philanthropy was in keeping with the revival ethos popular in nineteenth-century Ireland and supported the renewal of cottage industries by presenting the country as a tranquil space in the fairground. Elite women used Irish exhibitions to combat poverty by presenting a rural Ireland worthy of revival, targeting Irish migrants in the United States. Significantly, the preservation of Ireland’s rural aesthetics for elite consumption became equal to ‘saving Ireland’ for many female philanthropists involved in a benevolent charitable politics. Their split and the eventual presentation of two Irish villages reveal differences in the Irish Home Rule movement, with Aberdeen adopting a more moderate vision of Irish independence in contrast to Hart’s more radical perspective. The two women’s display of Irishness enabled a language of nation to emerge that reinforced a separation from England and a connectedness with Ireland in the United States. They addressed issues of migration by offering a transnational representation of a rural Ireland enveloped within an Irish American identity. The advertising of Ireland tugged on the heartstrings in a clever, profitable way; visitors could buy a trinket or souvenir and simultaneously feel like they were helping further Irish industry.   

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Exhibiting Irishness

Empire, race, and nation, 1850–1970

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