Shahmima Akhtar
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Interwar and partition
A divided Ireland
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This chapter examines the interwar British Empire exhibitions to show how the Irish Free State and Northern Ireland each used display to champion their global agendas and distinct relationships to the British Empire. Northern Ireland visualised its loyalty and union with the United Kingdom, whereas the Free State championed its independence and emphasised its separation from the imperial project. In the exhibitions of the 1920s, the image of Ireland was dominated by Northern Ireland and its Union with Britain as the Free State refused to participate. Northern Ireland expressly used exhibitions to demonstrate its allegiance to the United Kingdom, to further their trade in linen and shipping, and to consolidate their national standing. However, some Irish citizens critiqued this imperial identification as sacrificing and obfuscating the power and autonomy of Northern Ireland. Exhibitions of the 1930s saw a narrative shift as the Free State embraced exhibitions in their nation-building project. Organisers constructed displays of traditional arts and crafts alongside technological advancement and history to bolster their new country. They rejected past depictions of Irishness and espoused the country’s dominion status in the Commonwealth, stressing a separation from the British Empire. The chapter exposes how both the Free State and Northern Ireland used exhibitions as a platform to create new forms of Ireland and Irishness in the interwar period. Different political and ideological positions on empire worked themselves out in the display and its reception.

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Exhibiting Irishness

Empire, race, and nation, 1850–1970

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