Shahmima Akhtar
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Debt and disagreement
Post-colonial Ireland
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This chapter interrogates Ireland’s post-colonial moment. In the 1960s Ireland’s display took many forms and was debated extensively. There was an Irish Village on the Pike at the Seattle World Expo 1962 and an Irish Pavilion in the New York World’s Fair 1964–65. After much debate, Ireland finally withdrew from the Montreal World Expo 1967. The chapter demonstrates how the rationale behind exhibitions had significantly shifted by the 1960s, as success was no longer defined by immediate financial profit but within the diplomatic sphere. Importantly, funding of the events moved from private industrialists to public taxes, creating more accountability and greater criticism when financial failings were reported. Irish politicians largely recognised that exhibitions had spurious financial gain and instead their value came from being seen on the world stage in a break from earlier displays that sought trade and profit. Despite the country’s financial troubles, the importance of presence on the world stage gained significance for a struggling Ireland. Ireland’s continued participation in the expensive expositions of the late twentieth century reflected how concerns of international diplomacy eclipsed issues of commercial profit since financial losses were so likely. Overall, exhibitions were no longer needed for mass advertising, which made the ideological motives of exhibits obsolete in the 1960s. Yet the chapter highlights how issues of state propaganda usurped the need for financial gains like earlier centuries given the performative requirements of global capitalism.

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Exhibiting Irishness

Empire, race, and nation, 1850–1970

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