Trafficking in intertextuality
in Shakespeare’s resources
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This chapter seeks to rethink the various ways in which a term, ‘intertextuality’, given a specific dialogic meaning in the work of Julia Kristeva, has become domesticated to refer to the formal relation between texts. This domestication has also involved a certain sanitisation of the term, and the argument seeks to expose the limitations of the few critics who have attempted to deploy the term.


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