Tim Allender
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Image vistas and transition to an independent India, 1904–62
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Chapter Seven analyses the use of visual images to reflect changing mentalities within convent orders in India that were partly the product of transnational influence, as well as Indian national politics as the twentieth century progressed. The new medium of photography, and imagery conveyed through textual representations, were adopted by these orders from the early twentieth century onwards as primary avenues to disseminate their message. Though still located outside the Indian cultural domain, these images showed tangible shifts from ‘seeing’ the East as a cultural curio to imagery that symbolised, instead, cultural transfer across racial lines – indicating that Loreto, in particular, was no longer a feature of the raj as the tide went out on empire in 1947. In the 1950s and 1960s, new vistas were in view: showing cultural Roman Catholic acclimatisation with the Puja, and also displaying new intelligence about a vibrant diaspora of former students elsewhere in India or abroad.

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Empire religiosity

Convent habits in colonial and postcolonial India

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