British literature and archaeology, 1880– 1930

Angie Blumberg
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This book uncovers how British writers and artists engaged with archaeological discourse—its artefacts, landscapes, bodies, and methods—uncovering the materials of the past to envision radical possibilities for the present and future. The project traces how a range of canonical and less familiar figures turned to archaeology to shape major late-Victorian and modern discussions: informing debates over shifting gender roles; facilitating the development of queer iconography and the recovery of silenced or neglected histories; inspiring artefactual forgery and transforming modern conceptions of authenticity; and helping writers and artists historicise the traumas of the First World War. Ultimately unearthing archaeology at the centre of these major discourses through which writers and artists conceived of modernity, this book simultaneously positions literary and artistic engagements with the archaeological imagination as forms of archaeological knowledge in themselves, providing a valuable study for scholars of the nineteenth and twentieth centuries with a range of interdisciplinary interests in literature, art history, and cultural studies.

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