Roger Singleton-Turner
Search for other papers by Roger Singleton-Turner in
Current site
Google Scholar
in Cue and Cut
Abstract only
Log-in for full text

One can expect to find all or most of the following elements in any multi-camera TV studio: a big, dark, soundproof, empty space; a grid or gantry; and fire exits, fire lane and safety lighting. There will be a mixing desk for the studio mikes, incoming sound lines and machines for effects, music and so on. All incoming sources would have sound routed through the sound gallery to ensure consistency of level and quality. These might include controls for incoming telephone lines (for phone-in programmes), remote studios and outside broadcasts, as well as foldback and talkback systems. Some studios are set up to deal with incoming phone lines, scoring devices and so on, any of which might have monitoring or control equipment in the main gallery.

  • Collapse
  • Expand

Cue and Cut

A practical approach to working in multi-camera studios


All Time Past Year Past 30 Days
Abstract Views 124 15 2
Full Text Views 6 5 1
PDF Downloads 8 6 1