Roger Singleton-Turner
Search for other papers by Roger Singleton-Turner in
Current site
Google Scholar
PubMed
Close
In the studio
Communication
Abstract only
Log-in for full text

The traditional sequence for scripted sequences would be as follows: blocking, stagger, run or run-through, dress run, and recording or transmission. Even on dramas, there was not always time for steps 3 and 4. Blocking, staggering and a final or dress run were usually adequate. When it comes to run-throughs, all scripted pieces and links should be played out in full. As directed sections can be played through with real guests, proper introductions and dummy questions, or with stand-ins. The Director needs to make it quite clear when it is time for a take. In the first few year of the twenty first century, the commonest recording media for students' recordings were DV and mini-DV. It is surprising, though, how often a project has developed unnecessary complications because 'common sense' disappeared in the heat of the moment. Making TV content really does depend on good communication and teamwork.

  • Collapse
  • Expand

All of MUP's digital content including Open Access books and journals is now available on manchesterhive.

 

Cue and Cut

A practical approach to working in multi-camera studios

Metrics

All Time Past Year Past 30 Days
Abstract Views 194 121 5
Full Text Views 22 18 14
PDF Downloads 20 15 9