Roger Singleton-Turner
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Multi-camera studio drama provides some of the most popular programming on British broadcast television, judging by the figures in the weekly Broadcast magazine. This chapter begins with a brief history of British studio drama to show what has been achieved and what could be achieved. Scripts are the foundation stones of any form of drama. The writer's intentions should be fully respected and scripts should not be changed without consultation, but the writer also has to respect the artistry and craft of the actors and crew. The chapter looks at children, puppets and animals as actors. There seems to be a perception that, for students, they can offer effective and, even, easy solutions to the challenge of finding material for projects. In terms of multi-camera drama, the Director writes a camera script for the whole recording, which will allow for the generation of camera cards.

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Cue and Cut

A practical approach to working in multi-camera studios


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