Roger Singleton-Turner
Search for other papers by Roger Singleton-Turner in
Current site
Google Scholar
PubMedClose
Shooting action
in Cue and Cut
Chapter DOI:
https://doi.org/10.7765/9781526162229.00030
Online Publication Date:
08 Jul 2021
Abstract only
Log-in for full text

Multi-camera studios are great for speech-based content and fine, contained detail, demonstrations and the like. Whilst the quickest way to finish a programme is to get the camera script, the performance and the vision mixing right on the first take, there are times when iso-cameras are not simply a soft option: when the readers know the content will be recorded long and cut down before transmission, and if the content is unpredictable for any reason. Whilst shots of people moving away from camera can be vital elements of a story, in many situations a movement towards camera, towards the audience, is going to be more engaging than a shot of someone's relatively inexpressive back. Although some 'sports' like darts and snooker could be staged in a television studio, as live events, they are covered by OB units, another form of multi-camera working.
  • Collapse
  • Expand
  • Top

Cue and Cut

A practical approach to working in multi-camera studios

eISBN:
9781526162229
Publisher:
Manchester University Press
Cover Cue and Cut

Metrics

All Time Past Year Past 30 Days
Abstract Views 7 7 5
Full Text Views 1 1 0
PDF Downloads 2 2 0

Related Content

Cover Dance and politics

Dance and politics

Moving beyond boundaries

Author:
Dana Mills

Book

Publication History:

Online Publication Date:
21 Nov 2016
Subjects:
  1. Film, Media and Music

Dance has always been a method of self- expression for human beings. This book examines the political power of dance and especially its transgressive potential. Focusing on readings of dance pioneers Isadora Duncan and Martha Graham, Gumboots dancers in the gold mines of South Africa, the One Billion Rising movement using dance to protest against gendered violence, dabkeh in Palestine and dance as protest against human rights abuse in Israel, the Sun Dance within the Native American Crow tribe, the book focuses on the political power of dance and moments in which dance transgresses politics articulated in words. Thus the book seeks ways in which reading political dance as interruption unsettles conceptions of politics and dance.

Cover The British monarchy on screen

The British monarchy on screen

Editor:
Mandy Merck

Book

Publication History:

Online Publication Date:
28 Feb 2016
Subjects:
  1. Film, Media and Music

Moving images of the British monarchy, in fact and fiction, are almost as old as the moving image itself, dating back to an 1895 dramatic vignette, The Execution of Mary Queen of Scots. Led by Queen Victoria, British monarchs themselves appeared in the new 'animated photography' from 1896. Half a century later, the 1953 coronation of Elizabeth II was a milestone in the adoption of television, watched by 20 million Britons and 100 million North Americans. At the century's end, Princess Diana's funeral was viewed by 2.5 billion worldwide. Seventeen essays by international commentators examine the portrayal of royalty in the 'actuality' picture, the early extended feature, amateur cinema, the movie melodrama, the Commonwealth documentary, New Queer Cinema, TV current affairs, the big screen ceremonial and the post-historical boxed set. These contributors include Ian Christie, Elisabeth Bronfen, Andrew Higson, Steven Fielding, Karen Lury, Glyn Davis, Ann Gray, Jane Landman, Victoria Duckett, Jude Cowan Montague, James Downs, Barbara Straumann, Deirdre Gilfedder, Jo Stephenson, Ruth Adams, Erin Bell, Basil Glynn and Nicola Rehling.
Cover The cinema of Oliver Stone

The cinema of Oliver Stone

Art, authorship and activism

Authors:
Ian Scott
and
Henry Thompson

Book

Publication History:

Online Publication Date:
11 Jul 2019
Subjects:
  1. Film, Media and Music

This book charts and analyses the work of Oliver Stone – arguably one of the foremost political filmmakers in Hollywood during the last thirty years. Drawing on previously unseen production files from Oliver Stone’s personal archives and hours of interviews both with Stone and a range of present and former associates within the industry, the book employs a thematic structure to explore Stone’s life and work in terms of war, politics, money, love and corporations. This allows the authors both to provide a synthesis of earlier and later film work as well as locate that work within Stone’s developing critique of government. The book explores the development of aesthetic changes in Stone’s filmmaking and locates those changes within ongoing academic debates about the relationship between film and history as well as wider debates about Hollywood and the film industry. All of this is explored with detailed reference to the films themselves and related to a set of wider concerns that Stone has sought to grapple with -the American Century, exceptionalism and the American Dream, global empire, government surveillance and corporate accountability. The book concludes with a perspective on Stone’s ‘brand’ as not just an auteur and commercially viable independent filmmaker but as an activist arguing for a very distinct kind of American exceptionalism that seeks a positive role for the US globally whilst eschewing military adventurism.