Abigail J. Hartman
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No greater act of mercy - fifteenth century
‘Cellites’ and the ars moriendi in the
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Around 1402, theologian Jean Gerson completed a treatise on the art of dying that became the basis for the ars moriendi, a popular genre throughout the later medieval and early modern eras. In his treatise, Gerson claimed that attending to the sick and dying was the greatest act of mercy. This chapter explores Gerson’s claim through the lens of the Cellites (known today as Alexian Brothers): voluntarily poor laymen in Germany and the Low Countries who specialised in visiting the sick and burying the dead. Examining clerical descriptions, papal bulls, civic commendations, and oaths taken by Cellites in the pre-Reformation period, the chapter argues that their charity constituted a spiritual work of mercy, not merely a corporal one. From Gerson onward, the ars genre sought to equip individuals to navigate the perils of the deathbed on their own, but lamented that few were actually prepared to face death alone. The good death was thus a group effort, and exhorting the dying about fundamental doctrines was a crucial part of Cellite charity. Indeed, this chapter argues that because Cellites had given up the world and its wealth, they were regarded as ideally suited to help the dying guard against avarice – the love of worldly things that distracted the moribund from Christ’s atoning work. The Cellites therefore serve as a reminder that poverty itself, especially when freely chosen, was seen as spiritually beneficial, and that charity which aided souls was more admirable than charity which only aided the body.

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Do good unto all

Charity and poor relief across Christian Europe, 1400–1800

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