Rachael Ball
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Theatrical charity in the early modern Spanish world
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This chapter examines the relationships between dramatic performance and official forms of poor relief in Spain and its dominions in the Atlantic World during the early modern period. A portion of admission fees from the Spanish theatres went to hospitals and orphanages, and this fostered the parallel development of playhouses alongside urban institutions of public health and civic welfare. Actors and actresses, as well as theatre entrepreneurs and hospital administrators, were central to these processes. This mutually beneficial relationship also shaped other ways that individuals contributed to poor relief and charitable projects. Performances of plays became regular features of feast day celebrations and, by extension, a part of public displays of Baroque piety, which also involved the distribution of food and alms to those in need and the institutions that served them.

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Do good unto all

Charity and poor relief across Christian Europe, 1400–1800

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