Jonathan Stafford
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‘Bustle, motion, progress, change’
Steamship modernity
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Chapter 1 explores what exactly was modern about the colonial steamship experience, utilising as an organising principle four key aspects of modernity defined in an 1857 publication eulogising the overland route steamship’s revolutionary impact on the voyage to India. Exploring these themes of ‘bustle, motion, progress and change’, the chapter tests their veracity against the archive of the overland route. Bustle emphasises the texture of modern experience, particularly the sensory overstimulation associated with urban modernity. The steamship voyage was, however, seen as an oasis of calm, only described as overwhelming in the transitions of the external world, the different sights and experiences outside of the ship and the various stops along the way, described as increasingly exotic and ‘oriental’ in character. Motion foregrounds the significance of mobility in the making of the modern world, with accounts repeatedly attesting to shifting conceptions of imperial geographies as a result of the overland route, describing a familiar sensation of the compression of global space. Progress engages with the Victorian preoccupation with technological development’s role in promulgating enlightenment values and societal improvement. Change assesses just what was new about steamship travel to the East. Passengers described a spectacular overcoming of nature which, I argue, was rooted in the steamship’s liberation from the influence of wind and wave. However, this characterisation relied on ignoring both the nascent steamship’s continued reliance upon sail and modern forms of subaltern shipboard labour.

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Imperial steam

Modernity on the sea route to India, 1837–74

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