The art of the observer

This book is an ethnography of politics of waiting in the contemporary austerity state. While the global political economy is usually imagined through metaphors of acceleration and speed, this book reveals waiting as the shadow temporality of the contemporary logics of governance. The ethnographic site for this analysis is a state-run unemployment office in Latvia. This site not only grants the author unique access to observing everyday implementation of social assistance programmes that use acceleration and waiting as forms of control but also serves as a vantage point from which to compare Western and post-Soviet workfare policy designs. The book thus contributes to current debates across sociology and anthropology on the increasingly coercive forms of social control by examining ethnographically forms of statecraft that have emerged in the aftermath of several decades of neoliberalism. The ethnographic perspective reveals how time shapes a nation’s identity as well as one’s sense of self and ordinary ethics in culturally specific ways. The book traces how both the Soviet past, with its narratives of building communism at an accelerated speed while waiting patiently for a better future, as well as the post-Soviet nationalist narratives of waiting as a sacrifice for freedom come to play a role in this particular case of the politics of waiting.

Through an ethnographic study of the Barefoot College, an internationally renowned non-governmental development organisation (NGO) situated in Rajasthan, India, this book investigates the methods and practices by which a development organisation materialises and manages a construction of success. Paying particular attention to the material processes by which success is achieved and the different meanings that they act to perform, this book offers a timely and novel approach to how the world of development NGOs works. It further touches upon the general discrediting of certain kinds of expertise, moving the book beyond an anthropology of development to raise wider questions of general interest.

The author argues that the College, as a heterotopia and a prolific producer of various forms of development media, achieves its success through materially mediated heterotopic spectacles: enacted and imperfect utopias that constitute the desires, imaginings and Otherness of its society.

Founded by the charismatic figure of Bunker Roy, the Barefoot College has become a national and global icon of grassroots sustainable development. With a particular focus on the Barefoot College’s community-managed, solar photovoltaic development programme, this book considers the largely overlooked question of how it is that an NGO achieves a reputation for success.

Destruction and human remains investigates a crucial question frequently neglected from academic debate in the fields of mass violence and Genocide Studies: what is done to the bodies of the victims after they are killed? Indeed, in the context of mass violence and genocide, death does not constitute the end of the executors' work. Following the abuses carried out by the latter, their victims' remains are treated and manipulated in very particular ways, amounting in some cases to social engineering. The book explores this phase of destruction, whether by disposal, concealment or complete annihilation of the body, across a range of extreme situations to display the intentions and socio-political framework of governments, perpetrators and bystanders. The book will be split into three sections; 1) Who were the perpetrators and why were they chosen? It will be explored whether a division of labour created social hierarchies or criminal careers, or whether in some cases this division existed at all. 2) How did the perpetrators kill and dispose of the bodies? What techniques and technologies were employed, and how does this differ between contrasting and evolving circumstances? 3) Why did the perpetrators implement such methods and what does this say about their motivations and ideologies? The book will focus in particular on the twentieth century, displaying innovative and interdisciplinary approaches and dealing with case studies from different geographical areas across the globe. The focus will be placed on a re-evaluation of the motivations, the ideological frameworks and the technical processes displayed in the destruction of bodies.