Mechtild Widrich
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Caring about monuments. A conclusion
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The conclusion returns to contemporary monument debates from a pronounced standpoint of care, whether for those commemorated or doing the commemorating—like Doris Salcedo’s Fragmentos, for the female victims of civil war violence in Colombia, the comfort women memorials in Korea—but also for the aesthetic object itself, which in the clatter case of the Korean Girl Statue has received offerings of warm clothing. An ethic of care also motivates us to consider the material of commemoration, its human and environmental impact, as Salcedo does in building an art space from surrendered, melted-down weapons. The chapter, and the book, ends with a consideration of what care might mean in the negative sense—allowing certain unwanted monuments to decay naturally rather than investing resources in them, as Achille Mbembe has suggested for the disinvested Cecil Rhodes statue at the University of Cape Town.

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Monumental cares

Sites of history and contemporary art

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