Between Rapture and Revulsion
in Golden Mummies of Egypt
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Fascination with Egyptian mummies continues to endure, linked no doubt to their recurring presence in popular culture, which in turn prompts a focus on mummified human remains in museums. This chapter consider the basic polarities in attitudes to mummies – from rapture to revulsion – and considers the idea that each encounter can represent a contradictory response to, and appropriation of, Pharaonic funerary culture. Perhaps the most enduring ‘discovery’ is that the historic and pervasive longing to know the people behind the images and funerary objects of ancient Egypt is in fact a reflection of our own modern concern with life and death, and the fascinations and fears of what is after life.

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Golden Mummies of Egypt

Interpreting identities from the Graeco-Roman period


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