Suzi Hutchings
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Liminal ambiguity
The tricky position of being Black in white skin
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Within the embodied framework of an ambiguous positionality of being an Arrernte First Nations woman with white skin, the author explores nuances between cultural and racial identifications controlling who can claim a Black, Native or First Nations legitimacy. This is a creative piece. It intertwines anthropological and philosophical theories on colonialism and the literary techniques of magical realism with personal experiences in Australia, to explore liminal ambiguity in racial and cultural identities. The recent Black Lives Matter (BLM) movement has steadily gained momentum, popularity and social meaning since its inception in protests against the deaths of African American men at the hands of police. In turn, the BLM movement emanating from the USA has heavily influenced recent demonstrations among First Nations Australians against continual high incarceration rates and deaths in custody. The powerful coalescences and inherent differences across these social movements among African Americans and First Nations Australians generate an urgent need for innovative analysis on the insistent impacts of colonialism. I use my tricky positionality to interrogate the myriad complexities that are inherent in the colonial project, and which relentlessly impose skin colour as a determinant of status as ‘the other’ on First Nations peoples.

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