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Researching memory and heritage during a culture war
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The re-ignition of the ‘culture war’ in Britain has thrust research on cultural heritage into the political and media spotlight. Research on the material traces of Britain’s imperial history, such as the National Trust’s report on its properties’ historical relationship to colonialism and slavery (Huxtable et al. 2020), has come under severe public scrutiny, with its authors accused of imposing a contemporary political agenda on the past. Similarly, academics who support the removal of statues that commemorate slavers and colonisers have been accused of ‘erasing history’. Government ministers have lent their support to these charges, introducing legislation that impedes changing the names of sites or removing statues from public spaces. Within this context, we reflect on the ethics of research on memory and cultural heritage. We draw data from interviews we conducted with forty anti-racist activists, heritage workers, and government officials, as well as from workshops conducted with young people and poets, under the auspices of the Centre on the Dynamics of Ethnicity’s ESRC-funded work package, ‘The Changing Shape of Cultural Activism’. We argue that amidst its newfound visibility, research on cultural heritage is inherently political – such that declining to call for change or promoting a ‘balanced’ view of history is an endorsement of imperial amnesia and nostalgia. Further, amidst the prevalence of media and government accusations of ‘erasing history’, we argue for the importance of providing a counter-narrative, grounded in histories of empire and slavery as well as the literature on power and public space.

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The ethics of researching the far right

Critical approaches and reflections

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