Sam Okoth Opondo
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Introduction
Blurred juxtapositions – passages, images, and affects
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The Introduction illustrates our commitment to aesthetics-as-method, which enables us to bring together diverse concepts, bodies, passages, and images. The chapters map the political stakes of our commitment to aesthetics-as-method. In addition to outlining the methods, chapters, and key concepts, the Introduction raises critical questions regarding how everyday and historical political apparatuses and processes distribute bodies, affects, death, and senses in ways that challenge or sustain the immanence of sovereignty, while provoking readers to experiment with affective intimacies that enable them apprehend the ethical weight of proximate and distant others.

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Passages

On geo-analysis and the aesthetics of precarity

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