Sam Okoth Opondo
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Michael J. Shapiro
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Genre, half-lives, and precarious respirationscapes
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This chapter combines disparate discursive spaces of breathlessness (e.g., from industrial pollution, colonialism, and nuclear radiation) that have us emphasizing the precarities and struggles for breath that exist within a planetary, phenomenological, and historical respirationscape whose immensity evokes notions of the sublime as it mounts a challenge to comprehension. To illustrate these convergences, the chapter begins with a reading of the link between breathing and vitality in Clarice Lispector’s novel A Breath of Life, Philip K. Dick’s 1969 science fiction novel Ubik and Indra Sinha’s environmental picaresque novel Animal’s People (2007) so as to illustrate how corporate power, and racialized spaces of breathlessness, are evidence of both spectacular and the more spectral forms of slow violence.

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On geo-analysis and the aesthetics of precarity

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