Sam Okoth Opondo
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Michael J. Shapiro
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Aesthetic justice
Figural darkness and judicial blindness
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With a focus on Hugo Blick’s Black Earth Rising (2018), this chapter maps how a larger justice story develops around conflicting interpersonal relations, while at the same time attending to the larger geopolitical story and a darkness-based colonial imaginary. Attentive to the cartographic and subjective repositioning made possible by Kate Ashby’s locus of enunciation, we illustrate how the international criminal justice regime and humanitarian reason is entangled with violent shadow worlds that are revealed when she confronts the fraught exchanges within which values are occulted, institutions created, and personal relationships built. Ultimately, these violent shadow worlds are brought to the fore when one attends to the violence-laundering and implicit practices of exchange along with what we call “the burying, burrowing, and blinding” practices that Black Earth Rising depicts. Through an investigative montage, the series provides insights into shadow worlds behind and beneath the large geopolitical theater as well as the maps of justice, atrocity, and intimacy that connect Rwanda, the Democratic Republic of the Congo, The Hague, France, London, and the U.S.

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On geo-analysis and the aesthetics of precarity

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