Sam Okoth Opondo
Search for other papers by Sam Okoth Opondo in
Current site
Google Scholar
PubMed
Close
and
Michael J. Shapiro
Search for other papers by Michael J. Shapiro in
Current site
Google Scholar
PubMed
Close
Precarious breaks
The movement of African sporting bodies
Abstract only
Log-in for full text

This chapter turns to the varied passages of the sporting body in the first season of Matthieu Donck’s Netflix series The Break (La Trêve) and the routes, connections, and shadow-worlds it reveals. To situate the implications of the migratory flow of bodies and knowledges, we turn to cinematic texts that supply an imagery of the flow of African bodies and the forces that set them in motion, subjecting them to various forms of valuation, speculation, and pain. This is primarily achieved through a reading of African soccerscapes and ethnoscapes in Gerardo Olivares 2007 film, 14 Kilómetros and Abderrahmane Sissako’s film Timbuktu (2014). The chapter illustrates how different investigative apparatuses enable a series of epistemological and aesthetic breaks that reveal, conceal, or facilitate the trans-continental speculation and recruitment of the ‘superfluous’ Black sporting body and the precarity and desire that accompanies the dynamics of their subsequent use, abuse, and ‘retirement.’

  • Collapse
  • Expand

All of MUP's digital content including Open Access books and journals is now available on manchesterhive.

 

Passages

On geo-analysis and the aesthetics of precarity

Metrics

All Time Past Year Past 30 Days
Abstract Views 470 431 39
Full Text Views 2 1 0
PDF Downloads 2 1 0