Sabine Hanke
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The modern circus emerged as a captivating spectacle, showcasing acts from across the globe – a vibrant amalgamation of diverse individuals, animals and daring feats. Worlds of the ring contends that these displays of diversity served as affirmations of national symbols, practices and narratives. This introductory chapter unveils a previously overlooked cultural history of the circus in Britain and Germany during the interwar period, contributing a fresh perspective to the study of popular culture. It explores the early manifestations of cultural globalisation, highlighting the circus as a microcosm of interwar popular entertainment. Circuses functioned as catalysts for social discourse and the construction of national identity. Performers, directors and audiences engaged in lively negotiations surrounding contemporary visions of nationality and its others. The chapter delves into the intricate relationship between the construction of the nation and the foreign others presented within the German and British circus, offering a dynamic stage for interwar debates.

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Worlds of the ring

Nation and empire in the British and German circus

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