Sabine Hanke
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Modernity and the circus
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This chapter delves into the evolution of the modern circus, shedding light on its intricate interplay between national origins and international influences. While the genesis of the modern circus can be traced back to specific national contexts, it undeniably tapped into global connections and exotic imagery to craft narratives of national identity. While prior scholarship has extensively explored the emergence of the modern circus in the eighteenth century and its subsequent flourishing during the Georgian and Victorian eras, this chapter examines its quest for identity as it entered the twentieth century. Originally amalgamating rougher traditions associated with fairs and theatres, the modern circus found itself at a crossroads amidst the burgeoning influence of American mass culture. This juncture marked a pivotal moment for the circus, prompting cultural elites in Britain and Germany to reevaluate its direction. Circus directors, performers and fan associations embarked on a mission to redefine the essence of the modern circus. The aftermath of the First World War served as a catalyst for this reformation, as it engendered a renewed emphasis on professionalism and national heritage, while circuses were also competing for audience attention. Against a backdrop of economic, social and political upheaval, the modern circus in Britain and Germany underwent a profound metamorphosis, reinventing itself to align with shifting public sentiments and aspirations. The dynamics of domestic and international circus travel further shaped the evolution of the modern circus during this transformative period, highlighting its adaptability and resilience in the face of changing societal landscapes.

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Worlds of the ring

Nation and empire in the British and German circus

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