Sabine Hanke
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Training, risk and celebrity
Wild animals and human stars
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European animal trainers portrayed themselves as ‘Orientals’ while demonstrating their prowess with wild animals. Positioned at the crossroads of gender and imperial studies, this chapter unveils the intricate dynamics of these trainers’ agency in orchestrating performances with wild animals. Central to the argument is the assertion that these animal trainers strategically employed ‘Oriental’ motifs to anchor national spectacles within the framework of the modern circus. Against the backdrop of the interwar period, characterised by the reliance of circuses on international and, to some extent, global networks, the prominence of ‘Oriental’ themes in the display of wild animals soared. However, far from being mere exotic superfluities, these representations served a dual purpose: they not only catered to international tastes but also bolstered national identities, particularly in Germany and Britain. By presenting themselves as compassionate guardians of wildlife while simultaneously revealing their ferocity within the ring, these performances provided audiences with a reflection of their own national character. In essence, this chapter unveils the complex interplay between exoticism, national identity and the public’s perception of wildlife, shedding light on the nuanced ways in which the modern circus navigated the currents of global culture and imperial ideologies.

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Worlds of the ring

Nation and empire in the British and German circus

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