Sabine Hanke
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Half-human, half-animal
The lure of empire in the British circus
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Chapter three explores the roots of the modern circus’s dual tendencies towards nationalisation and globalisation, tracing them back to earlier imperial displays. It focuses on the circus’s integration of nineteenth-century ethnographic show practices and presentations of racial and bodily differences. As interwar circuses thrived on these older representations of difference, the chapter highlights the case of the Padaung women, or ‘giraffe-neck women’, from Upper Burma, exhibited at British circuses as a means of imperial and national reaffirmation. Transferring nineteenth-century ethnographic traditions to twentieth-century entertainment, the circus offered a simplified, nationally recognisable portrayal of Southeast Asia, particularly Burma, as imperial others. By analysing visual and textual sources, the chapter illustrates how the circus provided audiences with mirrors reflecting their national concerns around race, empire and gender. Examining photographs of the Padaung women during their circus stint in England reveals a recurring contrast between the English centre and the Burmese periphery of the empire. Additionally, the chapter addresses the construction of authenticity through the circus’s recruitment and presentation of the group, emphasising the unequal power dynamics between producers and performers. Furthermore, the chapter raises questions about the silencing and absence of non-European voices in circus archives, echoing discussions from nineteenth-century ethnographic exhibitions and freak shows. It initiates a dialogue on twentieth-century circus entertainment’s engagement with nineteenth-century othering practices, while also highlighting the complex interplay of race, hierarchy, gender and agency within circus dynamics.

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