Sabine Hanke
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Germany’s native kin
The Wild West at the Sarrasani Circus
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Chapter four elucidates contrasting approaches to the portrayal of difference in the British and German circuses during the interwar period. While the British circus showcased imperial subjects, the German circus tapped into anti-imperial themes to captivate audiences. Central to this dynamic was the fascination with American Indians, revered as symbols of exoticism and noble savagery within the German circus scene. The chapter delves into the profound impact of Native American culture on the German circus, exploring how it fuelled public enthusiasm and shaped circus performances. In interwar Germany, where imperial aspirations were connected to debates over the loss of its colonial possessions, Wild West shows featuring Native Americans emerged as a powerful anti-imperial fantasy. At the forefront of this phenomenon was the Sarrasani Circus, notably led by director Hans Stosch-Sarrasani senior, who himself embraced a cowboy persona. Through authentic encounters with Lakota performers from the Pine Ridge Reservation, framed as kindred spirits of the German people, the circus offered audiences a glimpse into a romanticised frontier world. By situating this spectacle within a transnational framework of imperial othering, the chapter reveals how both imperial and anti-imperial motifs operated within the same cultural context. Furthermore, it underscores the disparity between the idealised portrayal of American Indians in the circus and the harsh realities faced by the Lakota Indians residing on American reservations.

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Worlds of the ring

Nation and empire in the British and German circus

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