Sabine Hanke
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Juggling entertainment and control
Wartime circus performances
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The fifth and final chapter shows how the modern circus navigated the increased influence of state control while also maintaining its international character at the beginning of the Second World War. As a form of wartime entertainment, the circus occupied a tenuous position between being subject to the expectations of authorities and those of audiences, with pleasure and propaganda functioning as interrelated categories. The chapter investigates how the circus was drawn in and resisted these national pulls in Britain and Germany, and the growing sentiments against each other. Through a close reading of 1939 and 1940 circus programmes, the chapter assesses the interplay of controlling and persuading audiences through plays of national propaganda and exotic escapism, which allowed a surprising continuity of international entertainment. On the inside, however, the cracks among the international community of show people were highly visible. Through newspaper clippings, the chapter assesses the underlying anti-German, anti-British and anti-international sentiments within the circus industry in both countries. Whilst circus directors and performers navigated these internal debates and the strains of the war overall, audiences voiced their expectations and disappointments over wartime circus entertainment, which are investigated through newspaper reviews and diaries of circus show attendees.

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Worlds of the ring

Nation and empire in the British and German circus

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