John Haynes
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This book attempts a marriage of psychoanalytic and Bakhtinian theory to explore the discursive pressures exerted on the psyche of the model New Soviet Man - as man - by the radical remasculinisation of Stalinist culture, following the Cultural Revolution and the establishment of socialist realism as the single method in all Soviet art. It discusses the scapegoating of experimental cinema as 'unintelligible to the masses', and the subsequent realignment of film production under a single state organisation, Soiuzkino, and with newly-trained scenarists to provide intelligible scripts to be followed without deviation by the directors. The book examines in more detail the parallels between psychoanalytical models of the male ego and Bakhtinian accounts of the discourses of nationhood. Characteristic of both was the existence of centripetal forces or libidinal binding diversity into a fragile and illusory unity.

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New Soviet Man

Gender and masculinity in Stalinist Soviet cinema

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