in Film modernism
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the entire film, is based primarily on fraternities, similarities, the formation of constellations whereby something in one element forms a continuity with something else in another element each sharing aspects of love and death, embracing and parting, a recitative and a love song, kisses and blood, hence their partial not completely aligned overlaps as layers or sheets of similarities that emphasise accords and also differences in gaps of time, space, place, action, substance.


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