Sam Rohdie
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in Film modernism
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Though objects and associations tended to coalesce on contact, they also tended to disperse, going off in different directions to their origins and beyond, making of the exhibition a map of pathways and possible journeys that exceeded it, defying any presumed unity. No one thing sufficed, each was particular (none ‘served’ an apparent function) and all were plural because they suggested multiple places and entries.

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