Sam Rohdie
Search for other papers by Sam Rohdie in
Current site
Google Scholar
in Film modernism
Abstract only
Log-in for full text

Godard’s cinema was a model for Bertolucci and his Prima della rivoluzione (1964) is Bertolucci’s most godardian film. It has Godard’s looseness, openness and sense of the casual, his episodic structures, jump cuts that compromise continuity creating associations and rhymes and doublings rather than a narrative of consequence, linearity and causation. Classical cinematic rules are overturned and violated. The Bertolucci film, like Godard’s films, digress from a centre, deviate, wander, migrate.

  • Collapse
  • Expand


All Time Past Year Past 30 Days
Abstract Views 73 8 0
Full Text Views 39 0 0
PDF Downloads 30 0 0