in Film modernism
Abstract only
Log-in for full text

Griffith’s editing spatialised time and Griffith established a tension between the temporal linearity of the narrative and the spatial simultaneity of his parallel alternating editing. One of the interesting aspects of F for Fake is the circularity and overlapping of the editing as if the film was a spatial surface upon which various temporalities were edited together, the case with Griffith.


All Time Past Year Past 30 Days
Abstract Views 60 12 1
Full Text Views 24 2 0
PDF Downloads 18 4 0