Performing the politics of passion: Troilus and Criseyde and Troilus and Cressida and the literary tradition of love and history
in Love, history and emotion in Chaucer and Shakespeare
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This introduction presents an overview of the key concepts discussed in the subsequent chapters of this book. The book treats the emotions in Troilus and Criseyde/Cressida as metatheatrical operators and, as a consequence, as more general metatemporal moderators. It suggests that hope and fear are central in William Shakespeare's Troilus and Cressida because the two protagonists are aware of the way their reputations are being forged for eternity. The book scrutinizes a transhistorical regime of conflict-ridden affect. It also suggests that Shakespeare's Troilus and Cressida situates itself within an affective temporality which is explicitly textualized. The book traces the genealogy of arrogance from one of the typified sins through to its development into an affective marker of novelty and innovation, finally being configured around the notion of authorship. The book explores the poetological dimension of arrogance in Geoffrey Chaucer's Troilus and Criseyde and Shakespeare's Troilus and Cressida.

Love, history and emotion in Chaucer and Shakespeare

Troilus and Criseyde and Troilus and Cressida


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