Documentary map-making and film-making in Pat Collins’s Tim Robinson: Connemara
in Unfolding Irish landscapes
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact for pricing options.


If you have an access token for this content, you can redeem this via the link below:

Redeem token

Derek Gladwin investigates how Collins, who is considered one of the most articulate contemporary documentary film-makers in Ireland, depicts Robinson as a mediator between landscape and culture through his own mapping enterprise. Gladwin suggests that Collins and Robinson share a similar desire in their own forms of documentation to examine the subject of Connemara in order to create a place-based art form that magnifies the landscape while reducing the primacy of the ‘maker’ in the process. Gladwin argues that Collins’s film Tim Robinson: Connemara is not only a documentary about the cultural imagination associated with Robinson’s production of map-making and topographic writing, but also about his process of capturing the essence of place, a process that comes back full circle to Collins primary aim in the documentary.

Unfolding Irish landscapes

Tim Robinson, culture and environment


All Time Past Year Past 30 Days
Abstract Views 99 66 0
Full Text Views 36 5 0
PDF Downloads 18 2 0