The Hindi horror films of the Ramsay brothers
in Capital and popular cinema
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact for pricing options.


If you have an access token for this content, you can redeem this via the link below:

Redeem token

This chapter offers the first academic account of one of Indian cinemas’ largest cult phenomena: the horror films of the Ramsay brothers. The Ramsay brothers were most prolific and popular between the late 1970s and the late 1980s, when India experienced the rise of Hindu fundamentalism. During this decade, as before, the Indian state sought to maintain strict control of the economy – a strategy which has historically enabled the film industry to function as a parallel (and not always legitimate) channel for the circulation of money. In this context, small, short-term speculative capital thrived, and the Ramsay brothers were one instance of it. The second part of the chapter examines the ways in which the Ramsay brothers’ horror films capitalised on ingredients that, while borrowed largely from the Hindu and Christian religions, staged new, secular and forward-looking dimensions of Indian subjectivity.

Capital and popular cinema

The dollars are coming!


All Time Past Year Past 30 Days
Abstract Views 151 64 7
Full Text Views 22 6 0
PDF Downloads 17 7 0