The visual text
in Iain Sinclair
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This chapter discusses the intense visual imagery that has become characteristic of Sinclair's poetry. It considers the visual apparatus of Sinclair's major works, including Slow Chocolate Autopsy. It also studies the importance of the cinematic and visual, the diagrammatic mapping of fictional texts, Sinclair's geometric conception of urban space, and the visual components of Sinclair's texts. This chapter also identifies the strategies Sinclair uses to improve the effects of the ‘semantic drag’, which is a retardation of the narrative and syntactic flow caused by the intensity of the individual sentence.


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