Helena Grice
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This chapter suggests that the debates over the veracity, or otherwise, of Maxine Hong Kingston's cultural sources, and the vast body of critical material on the feminism-mother/daughter nexus in The Woman Warrior, has simultaneously obscured other, perhaps more pertinent and abiding, preoccupations in Kingston's work. This book locates Kingston within two interconnected, specific cultural contexts: Chinese American history and politics; and the emergence of ethnic feminism in a post-civil rights era. It contends that Kingston's body of work not only raises important questions concerning cultural authenticity, the role of different interpretive communities and canon formation, but that increasingly her oeuvre offers her readers a manifesto of pacifism for a contemporary era.

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