Unravelling the binaries
The Innocent and Black Dogs
in Ian McEwan
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This chapter examines Ian McEwan's novels The Innocent and Black Dogs which represent a significant phase of political writing. In both works, the private-public nexus is extended in different ways and they both engage with international politics, and particularly with the collapse of communism in Eastern Europe. The binary oppositions that order the works at the levels of argument, or ideas, are systematically and purposively unravelled.


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