State of play

Contemporary “high-end” TV drama

Author:
Robin Nelson
Search for other papers by Robin Nelson in
Current site
Google Scholar
PubMed
Close

This book updates and develops the arguments of TV drama in transition (1997). It sets its analysis of the aesthetics and compositional principles of texts within a broad conceptual framework (technologies, institutions, economics, cultural trends). Tracing ‘the great value shift from conduit to content’ (Todreas, 1999), the book's view is relatively optimistic about the future quality of TV drama in a global market-place. But, characteristically taking up questions of worth where others have avoided them, it recognises that certain types of ‘quality’ are privileged for viewers able to pay, possibly at the expense of viewer preference worldwide for ‘local’ resonances in television. The mix of arts and cultural studies methodologies makes for an unusual approach.

Abstract only
Log-in for full text
  • Collapse
  • Expand

All of MUP's digital content including Open Access books and journals is now available on manchesterhive.

 

    • Full book download (PDF)
All Time Past Year Past 30 Days
Abstract Views 3790 1187 62
Full Text Views 1010 348 4
PDF Downloads 1203 204 10