Culture – an antinomical view
in The structure of modern cultural theory
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact manchesterhive@manchester.ac.uk for pricing options.

ACCESS TOKENS

If you have an access token for this content, you can redeem this via the link below:

Redeem token

This chapter seeks to get clear of various understandings of culture so as to make way for the conception of the scope of modern cultural theory. It lays the basic elements of some distinctions between modern cultural theory and other types of discourse such as cultural studies, cultural sociology and cultural anthropology. The chapter discusses the authors' own sense of what modern cultural theory actually is, attempting, partly by way of Georg Simmel, to convey the antinomical idea of culture that is fundamental to it. Simmel shows why art, especially the modernist art of his time, is important for the antinomical view of culture: for if anything resists the freezing of life into form, it is modernist art. The chapter further emphasises on the analysis of culture as the institutionalisation of creative convention and is concerned with something like the ethics of culture or critical reflexivity.

Metrics

All Time Past Year Past 30 Days
Abstract Views 29 9 0
Full Text Views 20 0 0
PDF Downloads 15 0 0