'You are the first generation raised without religion'
Coupland and postmodern spirituality
in Douglas Coupland
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact manchesterhive@manchester.ac.uk for pricing options.


If you have an access token for this content, you can redeem this via the link below:

Redeem token

This chapter explores the evolving representation of religious belief in Coupland's work via three connected areas of discussion. The first section locates his fiction in the wider context of the apparent ‘sacred turn’ in contemporary culture. The argument then focuses on the most frequently recurring manifestation of Coupland's spiritual sensibility in his use of epiphany as a structuring motif in a number of the novels including Generation X, Life After God, Girlfriend in a Coma, Miss Wyoming (2000) and Eleanor Rigby. These visionary encounters are related to concepts of apocalypse. The final section examines the theological and cultural implications of Coupland's representation of ‘end time’ narratives.


All Time Past Year Past 30 Days
Abstract Views 33 11 4
Full Text Views 22 4 2
PDF Downloads 12 4 2