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Duelling confession within the novel
in Odoevsky’s four pathways into modern fiction
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This chapter notes Odoevsky's story The Witness as an important source for certain events in the autobiographical confession of the Elder Zosima in Dostoevsky's The Brothers Karamazov. it also considers Alessandro Manzoni's The Betrothed. These three works contribute to a considerably wider ensuing discussion of the ‘confessional’ motif in modern fiction, going back to the Gothic period and extending into the present century.

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