Richard Rushton
Search for other papers by Richard Rushton in
Current site
Google Scholar
Cinema produces reality
Abstract only
Log-in for full text

This chapter examines Gilles Deleuze's understanding of cinema, which is fleshed out in relation to his extraordinary claim that ‘cinema produces reality’. He argues that films offer orders of experience that are normally hidden or unavailable in everyday life. Cinema presents new modes of perceiving and experiencing, modes which are not derivative of experiences in the ‘real’ world, and not modes that insist upon an adherence or faithfulness to the ‘real’ world. Rather, cinema produces modes of perceiving and experiencing that offer the possibility of another kind of world. Perhaps most challenging about his claim is that, in making it, Deleuze signals his intention to refrain from all forms of judgement. His discussions of films and types of films do not revolve around questions of which films are better or more valuable than others, they refuse to draw up tables of judgement which determine that some types of films are bad while others are good. Instead, he tries to uncover the significance of the system of reality that is proposed by Jean Renoir's The Golden Coach (1952).

  • Collapse
  • Expand

All of MUP's digital content including Open Access books and journals is now available on manchesterhive.


The reality of film

Theories of filmic reality


All Time Past Year Past 30 Days
Abstract Views 125 14 3
Full Text Views 21 0 0
PDF Downloads 22 0 0