Writing in a minor key
Doris Lessing’s late-twentieth-century fiction
in Doris Lessing
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact manchesterhive@manchester.ac.uk for pricing options.

ACCESS TOKENS

If you have an access token for this content, you can redeem this via the link below:

Redeem token

Doris Lessing's late twentieth-century fiction has often provoked and discomfited. Some readers of The Fifth Child (1988), its sequel Ben, in the World (2000) and Lessing's 1999 novel Mara and Dann were disturbed by her appropriation of racially marked stereotypes of the animal, the primitive and the atavistic. Such imagery has controversial implications in relation to ideas about ‘race’ and nation. Moreover, Lessing deploys what might be termed the ‘minor’ genres of urban gothic, picaresque and disaster narrative in her late twentieth-century work in unfamiliar and disturbing ways. In analysing Lessing's late twentieth-century ‘fabular’ fictions in relation to ideas about genre and ‘race’, Gilles Deleuze and Felix Guattari's discussion of ‘minor’ literature proves instructive. Deleuze and Guattari define minor literature as exhibiting three main characteristics: ‘the deterritorialisation of language, the connection of the individual to a political immediacy, and the collective assemblage of enunciation’. Thus, minor literature has a partial relation to nationality both linguistically and generically. Lessing's resistance to territoriality is the overriding concern of her 1987 collection of four short essays, Prisons we Choose to Live Inside.

Metrics

All Time Past Year Past 30 Days
Abstract Views 147 107 2
Full Text Views 12 3 0
PDF Downloads 18 4 1